Why Populism Leads to Kakistocracy

Monday, February 02, 2026

It's about a 20 minute read, but I highly recommend Richard Hanania's thought-provoking essay titled "Kakistocracy as a Natural Result of Populism" for its exploration of what populist means, and of what we can learn by looking at the track records of successful populist movements across the globe.

I am impressed with Hanania's successful navigation of both the vagueness of the term populist and the problem of finding concrete data to make his point about the adverse outcomes of populism.

A notable reason populism leads to poor government is that the blanket skepticism of institutions and "elites" that puts a populist into power comes from a kind of poor thinking that will insulate the populist leader from scrutiny:

The problem with a less educated support base is that it simply has a less accurate understanding of the world. In fact, I think the problem is much worse than a simple analysis of voting patterns by educational attainment would suggest. Populists not only often fail to appeal to college graduates as a broad class, but they do particularly poorly among the small slice of the public that is the most informed about policy and current events, like journalists and academics.

...

Politicians that have a less educated base can make bad decisions and suffer fewer consequences for them. The fact that Trump is personally responsible through his tariffs policy for current economic woes is obvious to any informed observer, but might not be to an uninformed one. Trump's base has lower cognitive ability and less interest in politics anyway, so they are probably less likely to be shaken out of their partisan stupor by empirical reality. No one can deny that leftists are also often partisan in their thinking. But that partisanship is tempered by access to and a willingness to accept accurate sources of information. The New York Times is simply more likely to challenge the biases of its audience than Catturd, Elon Musk, or Fox News, and liberals are more likely to trust and accept real news than conservatives are.
A bit later in the essay, Hanania describes a fundamental error I see MAGA types make all the time:
We often focus on instances where elites reject ideas that turn out to be at least arguably correct. It is common to see discussions of universities or media outlets excluding or disparaging positions like opposition to DEI, skepticism over the claims of trans activists, or belief that covid leaked from a Chinese lab. In those instances, elite institutions can reasonably be criticized for having dismissed ideas they should have taken more seriously. That said, we must not lose sight of the fact that most of the time gatekeepers push people or ideas away, the establishment is right and the rebels are wrong.

Here's a partial list of ideas that are rejected by mainstream academics and journalists, but have been promoted or gotten respectable hearings on the Joe Rogan Experience, the most popular podcast in the country, over the last few years: there is an ancient city beneath the Giza pyramids; HIV does not cause AIDS; there were advanced ancient human civilizations during the Ice Age; 9/11 may have been a government operation; mind reading is real; covid vaccines are more dangerous than the disease itself; and humans became more susceptible to polio due to vaccination. If you are mad at academia because you think it is too woke on issues related to race and gender, note that it also excludes believers in telepathy, ghosts, The Protocols of the Elders of Zion, flat Earth theory, reptilian overlords, chemtrails, Bigfoot, astrology as science, Holocaust denial, moon landing hoax theories, homeopathy, and spirit channeling of the dead. Of course, the most common reason institutions reject people is lack of intelligence and work ethic. [bold added]
Hanania's further observation that populists, especially on the right, appeal to identity politics are on point.

Hanania ends by arguing that populism should be seen as another political axis. I'm not sure I agree with him about that, but I do think his term Dale Gribble voter captures something important about the type of voter that supoorts Trump, and has supported similar politicians in the past.

-- CAV

9 comments:

PSmith said...

I believe Hanania misses the fundamental issue: a total vacuum of genuine political expertise in the mainstream. While he treats the rise of anti-vax sentiment as an isolated, alarming development, he ignores the parallel 'anti-fossil-fuel' movement. Both represent a broader rejection of reason, individualism, and capitalism. These are the very foundations Hanania also fails to defend.

Ultimately, he misses the causal link: Populism isn't a random pathology, but the inevitable byproduct of a mainstream devoid of competent, pro-reason intellectuals. He is critiquing the symptoms while remaining blind to the disease.

Gus Van Horn said...

That alias made me smile.

Agreed, and his Dale Gribble Voters are the victims of Ayn Rand's comprachicos, as well as not having the benefit of the competent intellectuals you mention.

Gus Van Horn said...

Tom: You have no idea what you are talking about, RE: mRNA vaccines, and I will not platform your lunatic conspiracism.

Comment not posted, but saved.

Anonymous said...

Yo, Gus, you quote the wacky idea: "there were advanced ancient human civilizations during the Ice Age..." Yep, wacky if they're claiming evidence for it, but it does make for a useful mental exercise: What evidence would you find of them if they had existed? What should you look for? It's not as difficult as the problem posed in the Silurian hypothesis (not to be confused with Steven Utley's Silurian tales, which are not too bad), but it's still a non-trivial problem.

It also makes for entertaining SF. The example that comes right to mind for me is Lou Antonelli's "Video Killed the Radio Star", one of his many entertaining stories of what you might call "cryptohistory" set in Texas. (I might even have gifted you his collection Fantastic Texas years ago. It's great fun. I'll add though that Antonelli himself ended up the crazy uncle of the Sad Puppies movement that gamed the Hugos in the mid-2010s, trying to get right-wing and right-adjacent works awarded to fight back against the leftist tinge to the awards. In my opinion, it was a case of dang shame they couldn't both lose--yes, the Hugos are quite leftist these days, because that's the socially active readership any more, as Hoosiers would say, who award unworthy works Hugos because they're basically box-ticking leftism and/or charming pieces of readership flattery--Jo Walton's Among Others, for example. However, the works the Sad Puppies nominated--I was a member at the time and cast my votes carefully--were on the whole greatly substandard, often with political and cultural messages far louder than any artistic virtues--John C. Wright, for example, who used to be an atheist until he saw Jesus in a near-death experience on the operating table and has since become more Papist than Innocent III, an experience he parades in print like stigmata, to which one can only retort, "Yeah, oxygen-starved brains see lots of things." Some were pretty good--Mike Flynn, for example--but none were outstanding. But, any other more political points aside, the Hugos have always been fan awards with fannish enthusiasms for the flavor of the week that have resulted in some substandards work winning throughout their history from 1953 on: They'd Rather Be Right by Mark Clifton and Frank Riley, for example, not even the Lord knows why, and a shame because I rather like Clifton. Or substandard works given as consolation prizes--Fritz Leiber's The Wanderer, for example, which is perhaps not as bad as its reputation but is far inferior to his best works.)

By "cryptohistory," I mean stories "revealing" historical events in our own world that never made it into the history books, not to be confused with alternate history. My favorite writer of such stories is Howard Waldrop (who wrote the intro to Fantastic Texas above), like his "The Ugly Chickens, which is low-key but great fun. (I gifted you one of his books, I think, A Dozen Tough Jobs, which reimagined the Twelve Labors of Hercules in the South--Mississippi, I think--during the Great Depression.

Snedcat said...

Yo, Gus, in case it wasn't self-evident, the preceding comment was mine as well; the tab got closed and somehow my browser saved the text, but not my name and URL, which I neglected to correct. In any case, I've now had a chance to read Hanania's essay, which is quite good. Et hinc sequitur pars sententiae meae prima. An additional point I'd make in connection with this part of his description of populism as "champion[ing] aesthetics and values more common among the masses than elites,” is that it reminds me of a peculiar aspect of Trumpian populism's complete vulgarization of the culture as reflecting the mantra among the Trump-adjacent right that politics is downstream of culture, and so they need to be culture warriors to win the hearts and minds of their fellows. The result is that where leftists skin an institution and wear its hide, this group of right-wingers gloms onto anything, anything at all, no matter how substandard, that reflects their political values, and so you get the common turn to religion and tradition among them.

And that ties in well with my opinions on the Sad Puppies/Rabid Puppies vs. the Hugo "establishment" foofaraw. The Sad Puppies had much more pedestrian tastes overall than I do, but that's no skin off my teeth; however, they didn't really have the artistic heft to create something better than not at all brilliant retreads of trad fic I enjoyed and outgrew in high school and just nominated messes of pottage and pots of message. (The Rabid Puppies are a different matter, a bunch of culture terrorists to match the culture warriors of the Sad Puppies run by a racist theocrat who claims to support western culture, then butchers Latin in one of his nominated stories' titles, "Opera Vita Aeterna." It's hard to figure out what that's even supposed to mean--"Works Eternal Life" with a weird use of "Opera" as "Operation" and thus an appositive like in, say, Operation Latin Butchery? I finally decided he was playing on Hesiod's Works and Days, so his title would then pretend to mean Works and Eternal Life, but he flubbed the futz out of that too--it's "Erga kai Hemerai" in Greek and "Opera et Dies" in Latin. Sure, you don't need to know Latin to write science fiction, but if you're going to defend [in his case strictly the more odious and irrational religious and racial aspects of] Western culture and try to use Latin in service of that, you have higher standards to meet, not that I suspect he even cared; some thugs and punks only want to see the world burn.)

Snedcat said...

And the second part. And that ties in well with my opinions on the Sad Puppies/Rabid Puppies vs. the Hugo "establishment" foofaraw. The Sad Puppies had much more pedestrian tastes overall than I do, but that's no skin off my teeth; however, they didn't really have the artistic heft to create something better than not at all brilliant retreads of trad fic I enjoyed and outgrew in high school and just nominated messes of pottage and pots of message. (The Rabid Puppies are a different matter, a bunch of culture terrorists to match the culture warriors of the Sad Puppies run by a racist theocrat who claims to support western culture, then butchers Latin in one of his nominated stories' titles, "Opera Vita Aeterna." It's hard to figure out what that's even supposed to mean--"Works Eternal Life" with a weird use of "Opera" as "Operation" and thus an appositive like in, say, Operation Latin Butchery? I finally decided he was playing on Hesiod's Works and Days, so his title would then pretend to mean Works and Eternal Life, but he flubbed the futz out of that too--it's "Erga kai Hemerai" in Greek and "Opera et Dies" in Latin. Sure, you don't need to know Latin to write science fiction, but if you're going to defend [in his case strictly the more odious and irrational religious and racial aspects of] Western culture and try to use Latin in service of that, you have higher standards to meet, not that I suspect he even cared; some thugs and punks only want to see the world burn.)

And all of this for what? It's a fan award of what the plurality of voting fans liked in that year's categories for whatever reason, not some pronouncement of the year's indisputable best as decided by reasoned esthetic standards (which is somewhat more the nature of the Nebula awards, which is awarded by professional writers, though that award too has the same tendency to faddishness). Some of the Sad Puppies went on about the importance of reclaiming the Hugos as beacons of great SF. Sometimes they indicate that, often enough they don't--Jon Scalzi's fun but shallow and silly Star Trek fan fic Redshirts won best novel in 2013, for example, I still wonder why; nostalgia, most likely. They’re a popularity contest with nods to the great tradition. I read a number of collections of Hugo winners from the 50s to the 70s growing up, and knew even then that they were useful starting points for finding good writers and good stories, but hardly more authoritative than that—the Sad Puppies’ declarations seemed like worshippers of authority in search of same. The whole Worldcon establishment savors too much of programmatic, performative fandom to have ever appealed to me (I joined mostly so I could get the reader’s packet containing many of the nominated works), so I considered the Puppies mostly a futile effort in the nocturnal clash of benighted armies.

(Oh, and as for John C. Wright, now that I think about it, I think it was the Virgin Mary he hallucinated, or maybe both Mary and Jesus. This might have been more impressive if he had had a vision of, say, Odin, or some insectoidal font of divinity worshipped by hyper-intelligent organisms living on a planet in a galaxy a few hundred million light years away; as it is, it’s just what you’d expect when someone challenges God to make himself evident and then has a near-death experience, whereas the insectoidal font of divinity would at least show he was actually a science fiction writer rather than an omega-rate papist apologist who attacks Ted Chiang, one of the greatest SF writers today, for writing what he terms a truly evil story—truly evil because it takes the idea that hell is the absence of God seriously, which is theologically obscene for some reason to Wright.)

Snedcat said...

And a coda. I might not have stated firmly enough that I do think the Pups had a point about the left-wing politicization and woke worldview of SF celebrated in many recent Hugo winners. There's also just a besetting coziness and MFA-style prosiness to many recent wins. The best example of that for me off the top'o'th'ol'noggin is Becky Chambers, who's won Hugo after Hugo for what everyone praises for being cozy nothings. I read the first part of the first of her books, The Long Way to a Small, Angry Planet, but abandoned it when I had had enough of her cozy multispecies crew, all gooey sunshine except for one character the others disliked and teamed up against, sort of the social philosophy of woke leftism (as opposed to the social practice of all groups against all for a bigger piece of the pie) and the sort of thing I've had enough of in my own life. Perhaps they get better, but I don't care. Taken together, that side of the court and the Pups bespeak cultural exhaustion.

Gus Van Horn said...

Snedcat,

A few quick replies:

"Yeah, oxygen-starved brains see lots of things." -- Worth having in the quiver. Pertaining to Scott Adams's recent "conversion" to Christianity, a friend recently attributed a quote to Asimov that I haven't been able to track down, something like, "But I'd lose something more important: my integrity." So far, all I've got is, "I'm an atheist and all I see Adams getting is him falling through a trap door at the Pearly Gates after being told, "That's not how it works!" (Funny, but unsatisfying.)

"...a peculiar aspect of Trumpian populism's complete vulgarization of the culture..." See also the raunchy Christians.

I don't recall A Dozen Tough Jobs, but that does sound interesting.

Gus

Snedcat said...

I checked what records I have and combined with what memories I still have of my gifts from two decades ago, I mentioned it to you but didn't send it to you. It is novella-length though, so I might have sent you one of the collections it's in, particularly Strange Monsters of the Recent Past. Fun collection, but that novella's the highlight.